Will Owen-Gage has star potential
By Tom Kellar
The
Daily Times
Published June 16, 2005
It’s quite possible that history was made at the Hill Country Opry last
Saturday, when blues legend W.C. Clark shared the bill and the stage with young
Will Owen-Gage in a show that probably will have those lucky enough to have
attended talking about it for years to come.
By all accounts, Will was initiated by W.C. into blues greatness — and if anyone
has the right to make that distinction, it’s Clark.
I had promised friends that I would accompany them to the Austin Lounge Lizards’
set at the Kerrville Folk Festival that same night, but decided to run over to
HCO to see as much of Owen-Gage and Clark as possible before heading out to
Quiet Valley Ranch.
My timing was excellent. When I walked into the Opry, Will was deep into his
extended set and James Harvey of the Opry was whispering something into the ear
of Will’s bass player.
Then something extraordinary happened. Will’s bassist left the stage and W.C.
Clark was introduced. I was shocked by what came next. Clark, one of the
preeminent blues guitarists on the planet, picked up the bass — PICKED UP THE
BASS!!! Anyone familiar with Clark’s career knows that the last time W.C. had
played a supporting position, the lead guitarist was named Stevie Ray Vaughan.
It was a John-the-Baptist-introducing-the-Messiah kind of moment. The heavens
opened and a dove descended. Clark was making a statement, and it was huge.
A grinning Owen-Gage conferred with the headliner — the man whose poster had
been on Will’s bedroom wall since he was 12 — and then launched into the next
tune. I was very curious to see how Will would perform under that kind of
pressure and am pleased to report that the solos he took with Clark backing him
on bass were incredible. The 17-year-old hit a home run and it wasn’t long
before W.C.’s grin was as wide as Will’s.
I couldn’t help laughing out loud, seeing the look on the face of Will’s
drummer. He looked like a high school driver’s-ed student who had just been
handed the keys to a space shuttle. The man played his drums as if he were
fighting for his very life. He couldn’t believe what was happening and neither
could we.
Clark left the stage after a second song and I left the Opry, sorry that I
wouldn’t be there for the rest of the show and for the inevitable
Clark/Owen-Gage jam session that would end the evening.
Kerrville Daily Times photographer Jack Parker told me that he had a chance to
speak with Clark later in the evening and that the blues titan told him, “You
have to understand, I don’t put my guitar down for anybody, not since Stevie
Ray.”
The kid is great, the same way that Stevie Ray Vaughan, Eric Clapton and B.B.
King are great. The sky’s the limit for Will and hopefully, we’ll get to see
lots more of him locally as he progresses down the road of his career. Enough
said.
See ya’ after dark.